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Elizabeth Marro's avatar

I don't have a copy of it but I hold a special place in my heart for "Teaching Johnny To Read," the book my dad used to teach me to read when I was four. I can remember the large rectangular cover, a blue/green background, the shiny surface that gradually gave way as I, then my brother, and others used it.

I have distinct memories of reading the Nancy Drew books, the Trixie Belden books, The Hardy Boys books, just about any book in which a kid had some agency to solve problems drew my attention. Later, as a teenager I discovered a 1936 copy "Gone With the Wind" which I discovered in our old house after we moved into it. I still have this copy. Years and many readings later, I see the story and the motivation for its existence very differently than I did when I first fell into it. I can still recall, however, how confused and thrilled I was when I encountered Scarlett O'Hara who was hard-headed, heartless, and resilient - not the typical romantic heroine I remember from other stories I read at the time. As a teenager, I was trying to figure out how women's power worked in the world: was it sex, was it money, was it intelligence? What, I wanted to know then, was a strong woman? Was it possible for a woman to need no one but herself to be successful? Why did that always mean giving up something -- usually love?

Oddly, it is the books I read to my son when he was an infant that I retain today. "The Jungle Book," "Where The Sidewalk Ends," and yes, "Winnie The Pooh" and all its sequels. I remember him at six months old settled in his father's lap and falling asleep to The Lord of the Rings, Louis L'Amour, and Conan the Barbarian. These I do not retain but it taught me that the content matters no where near as much as absorbing stories through the skin along with the beating heart, regular breaths, and familiar voice of a loving person.

Merton, Andrew's avatar

The first book that influenced my thinking was “Thidwick, the Big-Hearted Moose,” by Dr. Seuss, which my parents read to me when I was four. It draws a clear line between generosity (which is good) and not being able to say no (not so good.) As an adult I was changed by Josef Skvorecky’s autobiographical novel “The Engineer of Human Souls.” After reading Skvorecky, who spent his formative years in Czechoslovakia under first the Nazis, then the Communists, before emigrating to Canada, I swore off all ideologies, all -isms, in favor of thinking through each issue on its own merits.

As for my writing, well, writers, like painters, musicians, and other artists and craftspeople, learn by imitating those they admire. During my teens and twenties, writing for newspapers and magazines, my role models included Kurt Vonnegut, Bernard Malamud, Hemingway, Nora Ephron, Joan Didion, and Annie Dillard; later in life, when I turned to poetry, my influences included Raymond Carver, Sharon Olds, Mary Oliver, Billy Collins, Mark Strand, Anne Carson, and Charles Simic. Whether as a journalist, essayist, or poet, I try to keep in mind two maxims: 1) There is no place for wasted words, and 2) there is always room for humor. As Stephen King put it, “The road to Hell is paved with adverbs.”

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